I must’ve been about eight when I planned my first ‘lesson’.
Lesson objectives were laboriously detailed in a little notebook. I would tinker around on whiteboards with mind-maps. The register was meticulously checked, even when the only ‘students’ in attendance were my stuffed animals (and thus the actual process of calling the register was rendered somewhat redundant). I was young, bright, and in love with learning – and more importantly, in love with teaching. Continue reading
We must move beyond simple claims that writing ‘gives voice’, or is a form of ‘expression’. Language is both before and after the fact: it comes as retrospection and speculation. And its politicization runs deeper than mere content, the surface upon which many young writers roam and remain. We must look at the container that holds the water. Continue reading
It’s hard to find a funny poet – it seems that the vast majority of us are doomed to sit around bemoaning the sad state of the world as it is/was/always will be. It’s even harder to find someone who can be funny without being either superficial or depressing. But somehow, despite the many ways the world has changed for the worse in the four years since My Family and Other Superheroes, Jonathan Edwards has done it: he’s got me laughing again. Continue reading
Screenwriting is a discipline most of us are unacquainted with before going to university. You may have a sound knowledge of film or television, know your Vertigos from your Borgens or your Mudbounds, and never have encountered a single screenplay. This is normal. Starting-out in screenwriting only requires ideas, and the drive and imagination to visualise them. Continue reading
We That Are Young is the debut novel from Warwick academic and human rights activist Preti Taneja. The novel is a modern reworking of Shakespeare’s King Lear, transplanting the tragedy from the castles of Medieval Britain into the meeting rooms of the hospitality industry in modern day India. It was awarded the Desmond Elliott Prize for new fiction in 2018. Continue reading
The hardest part of getting your work published in literary magazines is not the submission process or finding the magazines, or even finding the inspiration: it is the motivation to start, and beyond that the motivation to keep going once the rejections start to pile up in your inbox. The same inbox that you cannot bring yourself to make a special email folder for because of the thick income of template ‘unfortunately, the piece is not for us’ from editors. Continue reading