Screenwriting is a discipline most of us are unacquainted with before going to university. You may have a sound knowledge of film or television, know your Vertigos from your Borgens or your Mudbounds, and never have encountered a single screenplay. This is normal. Starting-out in screenwriting only requires ideas, and the drive and imagination to visualise them. Continue reading
We That Are Young is the debut novel from Warwick academic and human rights activist Preti Taneja. The novel is a modern reworking of Shakespeare’s King Lear, transplanting the tragedy from the castles of Medieval Britain into the meeting rooms of the hospitality industry in modern day India. It was awarded the Desmond Elliott Prize for new fiction in 2018. Continue reading
The hardest part of getting your work published in literary magazines is not the submission process or finding the magazines, or even finding the inspiration: it is the motivation to start, and beyond that the motivation to keep going once the rejections start to pile up in your inbox. The same inbox that you cannot bring yourself to make a special email folder for because of the thick income of template ‘unfortunately, the piece is not for us’ from editors. Continue reading
“The Smile of the Wolf” tells the story of two friends; Kjaran and Gunnar and how their hunt for a ghost turns into a struggle for survival, honour and love.
Tim Leach’s book paints a painfully vivid yet entrancing image of eleventh century Iceland. It is a harsh land whose people have laws to match. Yet it is also a beautiful land, a place of solace for those wanting to escape the yoke of kings. The setting reflects the story – the contrasts of the land embrace the contrasts of the characters. Kjaran is a skald, a poet, who has never killed but shapes the world with his songs. Gunnar is a battle-hardened warrior, who is often at loss for words. The delicacy and hardness of Iceland can be found in these two men. Continue reading
Jessica Kashdan-Brown is a current Warwick Writing Programme (WWP) student, poet, and writer, originally from Bath. Her current project, the Bath Canal Poetry Route, works with the help of the Canal & River Trust to place poetry in the locks of the Bath canals, such that the poem changes as the water in the lock rises and falls.
Not for the first time, it started with the creation of a world.
In that world you have dragons, flying cities, moving mountains and talking cats. You raise your eyebrows at the word “wizard” and instead create a unique magic system like the industry has never seen before. Your knights are men of honour, integrity and emotion. Yet all three of your points of view are male. Continue reading
I first came across this literary publication at a poetry reading called ‘Fire & Dust’ in Coventry’s Big Comfy Bookshop. The magazine has a number of graduates from the University of Warwick’s creative writing programme who work to create a magazine on issues of equality, government, politics, human nature, as well as many other themes.
I haven’t written anything in months, and I think that puts me in the perfect position to hand out writing advice, and to dictate the do’s and don’ts of the craft. I’d like to talk about a phrase that gets passed around a lot in writers’ circles and is often mistakenly taken literally:
Write every day.
Jonathan Edwards’ first poetry collection, My Family and Other Superheroes (Seren Books, 2014), was the winner of the 2014 Costa Poetry Award. His humorous poetry covers life growing up in Wales, filled with characters from Evel Knievel to Marty McFly to bicycling nuns. He holds an MA in Writing from Warwick, and currently teaches in Wales.