St Pancras Station, walking to, and you’re already late, or on the verge of being it. You approach the entrance, hurriedly, but in the corner of your eye you see a woman sprawled on the ground. The station beyond is at once glittery and austere; it pulls people in and churns people out – an endless flurry of bodies, giddy and frenetic, like molecules around … Continue reading Mandala
The sun had been exposed all day, uninterrupted by clouds, and now rested in the looming veil of evening like a lightbulb behind a curtain. The hall was the largest room in David and Lily’s house. It overlooked an abstract cauldron of water and mountain too vast to comprehend, and the guests nested by the huge windows, admiring this sight. Continue reading “The Party”
On Sundays, I am sad. My toaster breaks on Sundays and I must scrape the burn into the bin before I lather my toast in Lurpack’s best. Throughout the week, my floor-drobe grows into a mountain of spoiled evenings and rushed coffee breaks and by Sunday I must tackle the problem head on. Continue reading “On Sundays, I am Sad”
“R-r-r-r-ight,” the sweaty lady imitates a budget 80s quizmaster, deliberately or otherwise, “that’s time, on to your next table!” With a ring of her bell, an array of women rise and tiptoe around the circle. Continue reading “A Single woman, looking for”
We That Are Young is the debut novel from Warwick academic and human rights activist Preti Taneja. The novel is a modern reworking of Shakespeare’s King Lear, transplanting the tragedy from the castles of Medieval Britain into the meeting rooms of the hospitality industry in modern day India. It was awarded the Desmond Elliott Prize for new fiction in 2018. Continue reading “Preti Taneja’s We That Are Young”
Dale comes swinging in through the double doors in a cloud of smoke and I tell you, I’ve had long-burnt chips in the oven that’ve smelled better than that. So I ask him,
“Dale, how’d it go in there?” and he says,
“Oh dandy, Chris, just fine. Like a furnace in there as always, but just fine.”
I can see his goggles have gone and he’s covered in soot, but his hood’s still on and he’s all suited up, so it must have been an okay run. I stick the air conditioning on: high.
Ozymandias gets slung out of a nightclub. He’s in the gutter swilling teeth, jaw shattered against the kerb.
Babylon was his once; he was ‘the man’, the ‘king of kings’: money, Maserati and gold tooth gleaming.